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Color
Trouble-Free Color Palettes: Fable
Achieve a dreamlike, fanciful tone that evokes children's books and fairy tales. 
August 2007
“What is the use of a book,” thought Alice, “without pictures or conversations?” Like Alice lost in Wonderland, your average on-the-go audience may need more than words to grab their attention. Imagery can add impact and tell a story—with color setting the mood—simply and with immediacy.

Illustrator and graphic designer Mary Peterson of Los Angeles concurs. She explains, “I’m inspired by all modes of visual storytelling—especially children’s books and animation from the ’50s, but also avant-garde theatrical production design and puppetry.” Peterson illustrates for both commercial and educational markets—she’s published three picture books: Cat On Wheels (Boyds Mill Press), No Time To Nap (Heyday Books) and the newly released Wiggle and Waggle (Charlesbridge).


Thumbelina
Illustrator and designer Mary Peterson (www.marypeterson.com) has “the most fun with humorous stories about animals—especially ones set in interesting locations and landscapes.” She says, “For setting a mood and creating atmosphere, value and tone are as important as color. When I’m working on a children’s book, an overall scheme is established at the beginning. The colors can then be softened, brightened or muted, depending on the emotional content of the story at that moment.”


Wish granted
Convey mystical and happy endings, dreams-come-true and innocence with fairy tale imagery. Image 24154989, Pixland, www.jupiterimages.com

Peterson often has magical themes in her illustrations that tend to begin as messy sketches. “I tape together snippets of sketches, trace, scan, resize, retrace, on and on,” says Peterson. “When I have a page designed, I go looking for reference material. I don’t work directly from photo references, but I do refer to them for detail, bringing authenticity to a scene.” She finishes by tracing the tight sketch onto bristol or watercolor paper and then drawing or watercoloring the “under-painting,” as Peterson describes the process. Lastly, she scans the drawn piece to finish “painting” the color in Photoshop, Illustrator or both.

“I prefer to work with a limited color palette. Generally there are no more than three colors and a neutral at work in a piece. I can’t say why I prefer to work this way, except that it’s very natural—even as a child I would stick to four crayons per picture,” says Peterson of her simple and inviting color choices.

Magical letters
Sprinkle pixie dust on the page with Caffe Latte (Prince Charming) and Zeppelin (fairy tale)—free at www.liquidfonts.com. Enchant with Preciosa (folklore) or Protection (legend)—free at www.acidfonts.com.
Golden egg
Desire the magic touch to reach audiences? Brush up on children’s stories and media—they’re timeless and resonate with most any age. Image 22160730, Brand X Pictures, www.jupiterimages.com
They croak us up
Put a humorous or unique twist on a famous fable. From an ad employing the kissing frog story for a credit card rewards program: “… all kisses expire 20 seconds after time of pucker …” Image 23803320, AbleStock.com, www.jupiterimages.com
Down the rabbit hole
For wispy, dreamlike color inspiration, look to fantastical paintings and watercolor wonders. Throughout history, discover magical dreams in imagery. Image 23224716, FoodPix, www.jupiterimages.com

PALETTE: Fable

PALETTE: Combinations

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